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blorgy.net is (almost) dead

Long live goodnewsgeorge.com.I’ve finally done it. I’ve kicked off the migration of this blog from blorgy.net to goodnewsgeorge.com. You’ll be able to access blorgy.net until the 8th of April, 2023. After that, it’ll return an error. At least until some cybersquatter decides to buy it (lol).

Remember to update your links and bookmarks.


I don’t think I’ve ever written about how the name blorgy came about. 16 years on, it’s still as childish as it was in 2007. Blorgy is a portmanteau of blog + orgy. Why did I choose that for a blog name? I honestly can’t remember.

Maybe it was a 21-year-old me trying to will into existence an orgy between the hot bloggers and myself. Sad to say, nothing of that sort happened. Blogging didn’t get me the ladies. Anyhow, I’m glad it’ll soon be left in the past and we can all move forward with the more tasteful alternative.


As you can see, this is what my blog looks like now. I’m mostly happy with it, but still experimenting with it (it’s been a while since I messed around with WordPress themes, holy shit they can be so complex these days). This blog is using Neve, a lightweight theme, that’s pretty customizable.

I’ve wanted to do something vaporwave-inspired but also tone it down a bit. I’m the biggest reader of my own blog and if it’s too much for my eyes, it’s probably too much for other people. So, muted colors, and a white background for the black text to stand out from. I might add a color or two.

The photograph at the top is a highly edited photo of the swimming pool where I live. The content is still the same, and I like my current layout, so I had no reason to change that. That being said, expect some tweaks in the coming weeks. Nobody gets things right the first time around.

I’m going to stick with this for a while until something else catches my eye or I can think of a better design. I have a feeling people may or may not like this font. If I get too many complaints, I’ll change it, but it really gives the vibe I’m going for.

Also, the old blog loaded really slowly for some reason. It wasn’t even a heavy theme, I believe this one should load much faster. I can already feel it on my end. Not much more to say other than I’ve managed to complete one of my goals for this year, so hooray.

Let me know if you have any feedback or comments about this design. I’m all ears.

I Am A Two-Percenter

On Wednesday, I joined two-percent club. I loaded a Wikipedia page like I had done every other day and was hit with the following message:

To all our readers in Malaysia,

Please don’t scroll past this. This Wednesday we ask you to sustain Wikipedia. 98% of our readers don’t give; they simply look the other way. If you are an exceptional reader who has already donated, we sincerely thank you. If you donate just RM10 or whatever you can this Wednesday, Wikipedia could keep thriving for years. We ask you, humbly: please don’t scroll away. If Wikipedia has been useful to you, take a minute to donate RM10. Show the world that access to reliable, neutral information matters to you.

Thank you.

It wasn’t a strange message. I had seen similar ones in the past and never had trouble ignoring them. However, this time it felt different. Maybe because it blocked the top portion of the page and I had to scroll down to read the article.

Or maybe because this time I noticed they said “readers in Malaysia”, which made it feel personal even though I knew it wasn’t. Whatever it was, it triggered something within me. It made me think about how often I used Wikipedia.

I use Wikipedia very often. When I’m learning about a new topic, it’s one of the first websites I visit. I love that they have such detailed entries on whatever I happen to look up, especially when it comes to music and bands.

I love tracing the history of my favorite musicians and finding out which bands or side projects they’ve been a part of, so I can check out more music from them. From those articles, I discover even more related musicians to listen to.

Sure, these days we have Spotify’s “fans also like” and their curated playlists, but they don’t give any context to why I should listen to them. I enjoy discovering the lore of musicians, why they leave or get kicked out, and their ties to other musicians.

I also like knowing the names of obscure bands and releases so I can hunt them down on Soulseek or YouTube. Spotify doesn’t have every song out there, unfortunately. Wikipedia makes sure I know that.

Beyond music, I’ve used it for looking up GPUs, countries, languages, comics, books, and everything under the sun. I know Wikipedia isn’t just one person. The site is great because its contributors do a fantastic job of filling up and updating the pages.

It’s not a reliable source for academia due to its editable nature, but I’m not using it for such purposes. All I want to do is grasp certain concepts quickly, or look at information compiled in neat tables. I click on external links when I want to find out more.

Easily editable is a double-edged sword: it means that it’ll be constantly updated, unlike encyclopedias. On the other hand, people can choose to fill pages with nonsense. Fortunately, attempts to vandalize articles are usually spotted and fixed very quickly.

Wikipedia isn’t as “rabbit-holey” as TV Tropes, which I’m glad because if it was, I’d never get anything done. Then again, it can already be quite a time sink in its current form but that might just be me and my curious nature.

After donating, nothing changed. I received a thank you email from Maryana, Wikimedia Foundation’s CEO and I resumed using the site as normal. I didn’t gain any extra perks which would have been a nice touch, but I guess that goes against the spirit of donations.

I guess it feels good knowing I’m doing something to keep one of my most-used websites afloat, even though it has been running for over twenty years will continue doing so without my help.

I’m sure I underpaid Wikipedia but that’s okay, other people can pick up the slack. What am I, Mr. Moneybags?

“Leading the way to a cashless society.” / I should have said that we’d be happy now

I was thinking to myself how much it would suck to have my phone stolen from me now. It’s so much more important than my wallet. I can survive a day without my wallet on me (barring some strange scenario where I have to present my identity card). But if I didn’t have my phone with me, I would have no excuse but to drive back home to pick it up.

Not having your phone today means not having cash, a way to contact people (or tweet), a GPS, and more. In fact, a few months ago you wouldn’t have been able to enter many places since you prove your vaccination/COVID status without the MySejahtera app.

Touch ’n Go’s eWallet is pretty rad. I enjoy not having to count bills or keeping coins in my pocket. Not all places accept it yet, but they’re becoming less common. If they don’t accept digital cash, I have my watch which can function as a credit card. Then there are online bank transfers as the last step before I resort to using cash. I admire how agile the country has been in terms of adopting digital trends.

Five years ago, I complained about the hassles of our parking system. I’m happy to say that this is no longer the case. It was a bit bumpy initially, with the various apps that we had to download for different areas, but it’s safe to say that paying for street parking is no longer a hassle. Thanks, Touch ’n Go!

I have no more qualms about parking my car anywhere I go these days. Since it’s become available I’ve paid for parking more than ever before. Even when there were occasions that I didn’t feel like paying – I did anyway. Better to be down RM1 than to receive a lucky ticket.

When you reduce the friction of a tedious procedure, it encourages people to utilize it more. At least that’s what I believe. It’s like how Steam conquered the gaming industry, Spotify for music, and Netflix for shows. They proved that when you make obtaining original content easier than piracy while being affordable at the same time, it shifts the scales.

It hasn’t eliminated piracy – people are still going to pirate for various reasons, but it’s better to make some money off ex-pirates than none of it. Media licensing is still a shit show. How long will it take for all these publishers to realize that geoblocking content in this day and age is such a backward practice? Sure, restrict physical goods since distribution and logistics are a pain in the ass to handle globally. But for digital goods? It makes no sense at all. Get with the times, guys. 

I’m annoyed because Welcome Home Armageddon isn’t on Spotify Malaysia despite it having a listing. Why is the acoustic/remix EP (See You All In Hell) available but not the original? It’s times like these, piracy is justified. Also, I can’t believe I haven’t done a music post on Funeral for a Friend yet. A lot of bands get the same treatment on Spotify, especially the Japanese ones (still waiting for chickenrace).

I’m glad Elden Ring wasn’t geoblocked (finished it, by the way, game of the year 2022). Dance Gavin Dance has a new album coming out this year (RIP Tim Feerick), I’m sure it’s going to be a banger as well. What a great year 2022 is going to be. 

I believe.

(please don’t age like milk)